There is a spell, for instance,
In every sea-shell:
(H.D.)
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I love HD. I wrote my Master’s thesis on the fragmentary nature of her poetry, and her long poems in particular. The first Stanzas of Trilogy:
An incident here and there, and rails gone (for guns) from your (and my) old town square:
mist and mist-grey, no colour, still the Luxor bee, chick and hare pursue unalterable purpose
in green, rose-red, lapis; they continue to prophesy from the stone papyrus:
there, as here, ruin opens the tomb, the temple; enter, there as here, there are no doors:
the shrine lies open to the sky, the rain falls, here, there sand drifts; eternity endures:
ruin everywhere, yet as the fallen roof leaves the sealed room open to the air,
so, through our desolation, thoughts stir, inspiration stalks us through gloom:
unaware, Spirit announces the Presence; shivering overtakes us, as of old, Samuel:
trembling at a known street-corner, we know not nor are known; the Pythian pronounces – we pass on
to another cellar, to another sliced wall where poor utensils show like rare objects in a museum;
Pompeii has nothing to teach us, we know crack of volcanic fissure, slow flow of terrible lava,
pressure on heart, lungs, the brain about to burst its brittle case (what the skull can endure!):
over us, Apocryphal fire, under us, the earth sway, dip of a floor, slope of a pavement
where men roll, drunk with a new bewilderment,, sorcery, bedevilment:
The bone-frame was made for No such shock knit within terror, Yet the skeleton stood up to it:
The flesh? it was melted away, the heart burnt out, dead ember, tendons, muscles shattered, outer husk dismembered,
yet the frame held: we passed the flame: we wonder what saved us? what for?
Hi Ben, I love her too. She really is very inspiring…
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I love HD. I wrote my Master’s thesis on the fragmentary nature of her poetry, and her long poems in particular.
The first Stanzas of Trilogy:
An incident here and there,
and rails gone (for guns)
from your (and my) old town square:
mist and mist-grey, no colour,
still the Luxor bee, chick and hare
pursue unalterable purpose
in green, rose-red, lapis;
they continue to prophesy
from the stone papyrus:
there, as here, ruin opens
the tomb, the temple; enter,
there as here, there are no doors:
the shrine lies open to the sky,
the rain falls, here, there
sand drifts; eternity endures:
ruin everywhere, yet as the fallen roof
leaves the sealed room
open to the air,
so, through our desolation,
thoughts stir, inspiration stalks us
through gloom:
unaware, Spirit announces the Presence;
shivering overtakes us,
as of old, Samuel:
trembling at a known street-corner,
we know not nor are known;
the Pythian pronounces – we pass on
to another cellar, to another sliced wall
where poor utensils show
like rare objects in a museum;
Pompeii has nothing to teach us,
we know crack of volcanic fissure,
slow flow of terrible lava,
pressure on heart, lungs, the brain
about to burst its brittle case
(what the skull can endure!):
over us, Apocryphal fire,
under us, the earth sway, dip of a floor,
slope of a pavement
where men roll, drunk
with a new bewilderment,,
sorcery, bedevilment:
The bone-frame was made for
No such shock knit within terror,
Yet the skeleton stood up to it:
The flesh? it was melted away,
the heart burnt out, dead ember,
tendons, muscles shattered, outer husk dismembered,
yet the frame held:
we passed the flame: we wonder
what saved us? what for?
Hi Ben,
I love her too. She really is very inspiring…